The article discusses various types of non-rhyming poetry, including haiku, concrete poetry, acrostics, blank verse, and free verse. Poetry has a long history, with ancient bards using rhyme to aid memory. Haiku, a Japanese form of poetry, is admired for its orderliness and brevity. Concrete poetry creates images through word placement, while blank verse and free verse allow for more freedom in expression. Many modern poets have abandoned rhyme in favor of other aspects of the poem.
The poem is typically noted for its rhyme, including rhyme schemes which are sometimes quite complex. There are, however, many types of non-rhyming poems. One of the most famous is haiku, a short form of Japanese poetry much admired by many Western poets. Others are more interested in the form the poem takes on the page, such as the concrete poem and the acrostic. Blank verse and free verse are non-rhyming formats used by many modern poets.
One of the oldest forms of literature, poetry may precede the written word itself. Ancient bards often used rhyme to make their oral histories easier to remember during times when most people were illiterate. Poets of the Middle Ages created complicated rhymes and rhythmic patterns, such as iambic pentameter, loved by Shakespeare, and tertiary rhyme, invented by Dante. Many poets, particularly those of the modern era, gave up rhyme and concentrated on other aspects of the poem. Some of these poems were extravagant novelties, while others are listed among the greatest ever written.
Haiku are non-rhyming poems made up of three lines, each containing a certain number of syllables: five, then seven, and then five again. The format developed from a poetry game called renga created by 12th-century Japanese poets. Technically, a haiku should just be a serene contemplation of nature; if other subjects are invoked, the poem is a senryu. This distinction is often ignored by Western poets, many of whom admire haiku for its orderliness and brevity. The 17th-century Japanese poet Basho is considered a master of the form.
Other poems build on the structure of the play, and a rhyme scheme may not be needed or desired. Concrete poetry, sometimes called shape or size poetry, seeks to create an image through the placement of words; a poem about birds, for example, might resemble a bird spreading its wings. While some concrete poems rhyme, most don’t. The diamond is a concrete poem in the shape of a diamond. The acrostic, a pun in which lines are arranged to form words when read horizontally, sometimes takes the form of a poem.
Blank verse is unrhymed poetry that clings to an internal rhythm, like iambic pentameter. Lines in blank verse must be written carefully to fit the overall rhythm of the poem. Free verse, as the name suggests, imposes no such restrictions, allowing poets to express themselves as they please. Some of the greatest modern poets preferred this form, including TS Eliot, ee cummings and Allen Ginsberg. Eliot’s “The Waste Land,” Ginsberg’s “Howl,” and Walt Whitman’s “Song of Myself” are all acclaimed non-rhyming poems.
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