What’s a cinematographer?

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A cinematographer supervises the filming of motion pictures, commercials, and TV shows. They are responsible for the look and feel of the film and work closely with the director. To become a good cinematographer, one needs training, experience, and a good eye. They may also be involved in post-production and may receive awards for their work.

A cinematographer (DP) is someone who supervises the shooting of motion pictures, commercials, television series, or any other type of filmed production. It is common to see this term and “cinematograph” used interchangeably, although this usage is not acceptable in all regions, as sometimes these works are actually quite distinct from each other. In essence, the person is responsible for the look and feel of a piece on film.

To become a good cinematographer you need three things: training, experience and a good eye. Many people interested in a career in filmmaking go to film school, where they learn the mechanics of the job and have the opportunity to participate in on-set internships to get a feel for the job. Then, they work their way up the ranks on set, often working in a variety of positions to learn more about the business, before finally landing this position, in which case a good artistic eye becomes crucial.

On set, the director of photography supervises the camera and lighting crews and will work closely with the set, costume and make-up artists. Often, both this person and the director have the final say on which cuts will be included in the finished piece, and the two work closely together to achieve the desired look. He or she will use lighting, filters, and a variety of shooting techniques to shoot a scene according to the director’s wishes.

A cinematographer may also be involved in post-production, working with the sound and color artists to develop and reproduce the film. He also often works closely with the editing crew, creating a consistent look throughout a scene, even if it’s been shot over the course of hours or days.

The relationship between a DP and a director can vary. A highly talented professional may require minimal direction, as he instinctively understands what he needs. Other directors prefer more control and may go as far as specifying particular camera settings, especially with those who are new and unfamiliar with them, to ensure the piece turns out the way they envision.

Some DPs become quite well known for producing high quality, distinctive work with incredible artistic vision and may be offered awards or invited to join elite societies. For people interested in film careers, the chance to work or train with these leading figures in the industry is a great honor.




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