Script readers provide critiques of scripts for production companies. They identify strengths and weaknesses, make recommendations, and summarize the story. Script readers work quickly and effectively, often reading more than one script a day. They may have production training or start as assistants.
A script reader reads scripts with the aim of providing what is known as a “cover”, a brief critique of the script that is reviewed by producers and other members of a production company. If the script reader review is favorable, members of the production team can explore the possibility of turning the script into a film or television show. Otherwise, the script will not be able to move forward in the production process.
Scripts arrive at the production offices in a steady stream each week. Of these, only a fraction will be withdrawn for production. Producers don’t have the time or inclination to read every script that comes into the office; therefore, they distribute that work to assistants and script readers. Script readers are usually third parties who work on a contract basis and can cover scripts for various production companies as needed.
The script reader reads the script, sometimes several times, taking notes along the way. He or he identifies strengths and weaknesses in the script and considers whether or not it is a project that can be developed. Script readers need to know the development process well to be able to cover scripts efficiently, but they are still at the bottom of the production food chain.
After reading the script, script readers summarize the story for their coverage. They also make script recommendations based on marketing, budget, and casting concerns. In addition, recommendations for changes can be made. For example, a script reader might think that a story could market if it was changed in some way, or that if steps were taken to reduce the budget, a movie could be profitable.
Reading scripts can be hard work. A script reader is usually expected to read more than one script a day, and a quick response from the production company may be required. Script readers need to be able to work quickly but effectively, as no one wants to be the script reader they recommended to pass on the next blockbuster. Hours can be variable, with script readers often setting their own hours.
Some technical schools and colleges offer production training that includes reading scripts, and some script readers move into the industry that way. Others may start out as assistants and work their way up through the ranks. Before someone can be hired, he or she usually needs to have samples of work that demonstrate an ability to write accurate, clear, and useful coverage of the scripts.
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