Stereographers work with 3D images, either still or moving, and can be involved in various aspects of a project. They may work alone or in teams, and need to keep up with the latest techniques. They can work in photography, film, or promoting the use of 3D images in movies.
The precise work of a stereograph depends on the project, but all stereographs work with images, still or moving, that use the three-dimensional (3D) visual effect known as stereoscopic 3D. There are many ways in which a stereograph can be utilized in a 3D project, particularly if that individual is working as part of a team where the work is divided among the members. Stereographers working with still images typically work alone or in small groups and may be needed to enhance individual images. As 3D technologies improve, the stereographer’s job also involves keeping up with the latest techniques and, in some cases, innovating new ways of recording stereographs.
At one time, stereographers were photographers who carefully recorded stereographs designed to be viewed using special devices called stereoscopes. Recording these images required special cameras and careful composition of the images. Although stereographs are still not as popular or inspiring as they were when they were first invented, these images are still commonplace in many applications.
A stereographer working with still images is often very similar to a photographer. He is usually responsible for the entire composition of the image, as well as its development and distribution. Many stereographs still require special devices to view them, but some are designed to work without equipment. These artists can work for big companies or they can be completely independent.
It is also common for a stereographer to work in the film industry on 3D films. Capturing 3D moving images yourself is a feat that usually requires expert assistance, but the additional steps of processing and reproducing the images can also be complex. Ideally, a stereographer should be involved in every step of creating a 3D movie to point out any issues that might arise due to the design of the movie, because some scenes are more friendly to that style of shooting. In some cases, a large number of stereographers may be involved in producing a finished film.
There are also some stereographers who work primarily in promoting the art of using 3D images in movies. While it is possible to create finished films in which visual effects are dominant, many people interested in this art believe that 3D effects should be added to the film rather than detracting from the content. A stereographer may therefore primarily be involved in consulting with directors and cinematographers on what effects will work best for a film. It is also important that some professionals of this type work as teachers, because learning this art form can be complex.
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