Vernacular literature is written in the everyday language of a culture, as opposed to formal language. Dante and Chaucer are examples. In the past, only the elite could read and write, and works were written in official languages. Vernacular writers wrote for the common people, such as Dante’s Divine Comedy in Italian. Today, vernacular literature can refer to works written in the language of the common people, such as Mark Twain’s Huckleberry Finn.
Vernacular literature is literature written in the everyday language of a particular culture. It is usually distinguished from works written in a formal language, which in some cases can be very different from the popular language of a culture. “Vernacular” refers to the speech or writing of the general public or a particular segment of it. Dante’s Divine Comedy and Chaucer’s Canterbury Tales are prime examples of vernacular literature. Some authors, such as Mark Twain, wrote in the vernacular for dramatic impact or to simulate the speech patterns of characters.
Widespread literacy is a relatively recent phenomenon in human history. For thousands of years, only the wealthy and privileged have learned to read and write, as have religious leaders and other authority figures. This elite system was enforced by laws or traditions that required works to be written in an official language of some sort. In medieval Europe, for example, Latin was the language of state, religious and historical documents, even though it had not been spoken by ordinary people for hundreds of years. In India, Sanskrit served a similar function, requiring scholars to learn the ancient language to study religious and historical texts.
Writers of vernacular literature deviated from this trend by writing works in the language of the common people. The Italian poet Dante Alighieri pioneered this, writing his epic Divine Comedy in Italian rather than Latin in the 1300s. The British writer Geoffrey Chaucer, at the end of that century, composed his works in Middle English, the dominant language of his time. At first, the practice of creating vernacular literature was somewhat controversial. In 1536, for example, theologian William Tyndale was executed for translating the Bible into English.
In medieval Europe, the use of Latin as an academic language was widespread. This tradition lives on today in the use of Latin phrases for scientific, medical, and legal terminology. The vernacular writers, however, knew that excluding large numbers of potential readers was a literary dead end. They were right, as the works of Dante, Chaucer, and other vernacular writers have survived to be read and studied to this day. Their contemporaries who wrote in Latin, such as Froissart and Gower, are all but forgotten.
In modern times, vernacular literature sometimes refers to works written in the linguistic patterns of the common people, as opposed to forms such as Standard English. Mark Twain, perhaps the most famous example of him, composed his classic Huckleberry Finn in the language of its narrator, a poor, semi-educated boy from the rural American South. Later writers such as William Faulkner, Ralph Ellison and Saul Bellow used the vernacular to make characters more realistic or to capture the poetry of the natural rhythms of language. Anthony Burgess’s influential novel A Clockwork Orange is written in the vernacular spoken by the book’s futuristic narrator, a variation on modern English invented by Burgess himself.
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