Being a film critic is more than just watching movies. They must provide honest assessments based on various elements, research, and possess strong analytical skills. Critics strive to offer both pros and cons and face tough working conditions, including long hours and multiple obligations.
On the surface, becoming a professional film critic may seem like a dream job. It’s true that he gets paid to watch movies every week, but that’s only part of the actual job. A film critic views movies the same way a restaurant critic views a new restaurant or a travel critic views a new hotel. The product may look promising on the surface, but a critic’s role is to provide a brutally honest assessment before the film is released to a general audience. His assessment of a film is based on a number of elements, including the director’s previous work, level of acting, overall casting, fidelity to source materials, editing, and quality of script.
A professional film critic doesn’t have to be completely impartial when it comes to criticizing a new film, but they should be honest. He might not be interested in horror movies, for example, but he should be able to tell the difference between a good or bad slasher movie that’s about to be released by a studio. Most critics understand that their personal opinions carry a lot of weight with potential ticket buyers, so they strive to offer both the pros and cons of the films they review.
Critiquing a film professionally isn’t simply a matter of voting yes or no on a new film release. Sometimes a professional film critic may have to do a significant amount of research to put the film into proper context. A very complex film may need to be critiqued on a psychological, dramatic and sociological level, which means that a critic must also possess very strong analytical and literary skills.
Working conditions for a professional film critic can be tough. Films are often shown in cramped rooms filled with other critics and studio executives. Seeing multiple films in a single day can also be physically and mentally exhausting, especially when the critic also has other obligations such as television and radio interviews, newspaper deadlines, and personal appearances at film festivals.
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