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DJs have become multitrack due to advancements in audio technology. They can specialize in specific genres and work in clubs or make house calls. To become a DJ, one needs knowledge of sound equipment and computers, and can gain experience through internships or low-paying jobs. The success of a DJ often depends on the quality of their audition tape.
When a young music lover says, “I want to become a DJ” these days, the usual response is “What kind?” As audio technology has exploded over the past two decades, DJs – like their music – have become multitrack. Some still play songs over the radio, interspersed with commentary, as DJ legends Alan Freed and Wolfman Jack played two generations ago. Others work in clubs, where they often become both performers and music purveyors.
In addition, there is also a type of DJ who makes house calls, showing up with a music warehouse and a van full of equipment to entertain guests at parties. And unlike the days fondly remembered by baboomers, when songs of all kinds made the top 40, today’s DJ is often a specialist in a specific genre. A reggae DJ, for example, may project a very different persona than one who likes hip hop or classic rock.
To become a DJ in the 21st century, it takes more than just a love and knowledge of music. It also requires at least a working knowledge of sound equipment and computers. Also, the traditional radio DJ still needs to be outgoing, because the job will no doubt include creating “remotes” to broadcast from businesses and community events.
The best way to become a DJ hasn’t changed, however – learn by doing. Most colleges have their own radio stations, and many local stations offer internships. The rise in popularity of the career has also given rise to broadcasting curricula in many colleges.
The time-honored musical tradition of “paying debts” often comes into play here. In metropolitan areas with multiple radio stations, someone hoping to become a DJ often has to settle for a low-paying (or unpaid) job at one of the less popular ones, perhaps working with the “wrong” type of music or venturing into the wild. air in off hours. However, these opportunities still offer quality time with the vast array of equipment needed in the future – sound systems, playback devices, music mixers, microphones, computer files for storing music and everything in between.
Like many other creative fields, the broadcasting business is actually quite democratic. The owner of a radio station or club usually doesn’t care if the applicant has a college degree or “hard” experience. Instead, the success or failure of the interview often depends on the quality of the audition tape the hopeful DJ brings. “Don’t tell me,” says the mantra; “Show me.
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